(english, as I can read and speak German, just not write it decently )
Presenting my (currently raw) build here as well as it's a complete Visaton based design. I prefer using single brands and the high end units have proven themselves in Visaton's own designs. Living in the Netherlands means getting Visaton is also a convenience.
I wanted something that would not only rival Siegfried Linkwitz' Orions but also trump them in full range output.
Mains: 3.5 way WWMT/TMWW, 190x28x28 cm, part H, part (shallow) U frame,
2x G 20 SC, 2x TI 100, 4x W 200 S, crossover points (LR 4th) 2300, 243 Hz with top and bottom woofer rolled off 30 dB at 243 Hz/12 dB slope.
Subs: 190x35x35 cm H frame, 6x W 300 connected per 3 in parallel, crossoverpoint (LR 4th) 50 Hz between mains and subs when in use, otherwise the mains run full range.
Planned finishing: all edges rounded, front and inside behind mid/tweeters white felt, complete frames high gloss white paint.
Processing: Behringer DEQ2496 for room equalizing, connected with digital out to 2 DCX2496'. Outputs are configured for sub, sub, low, low/low-mid, mid, high and time aligned.
Power amps: (per side) 1x Behringer EP4000 in stereo for sub, 2x Behringer EP2000 for main (all with combined silent fan and resistor mods).
This speaker system isn't shy about reproducing the cannons on Overture 1812.
Presenting my (currently raw) build here as well as it's a complete Visaton based design. I prefer using single brands and the high end units have proven themselves in Visaton's own designs. Living in the Netherlands means getting Visaton is also a convenience.
I wanted something that would not only rival Siegfried Linkwitz' Orions but also trump them in full range output.
Mains: 3.5 way WWMT/TMWW, 190x28x28 cm, part H, part (shallow) U frame,
2x G 20 SC, 2x TI 100, 4x W 200 S, crossover points (LR 4th) 2300, 243 Hz with top and bottom woofer rolled off 30 dB at 243 Hz/12 dB slope.
Subs: 190x35x35 cm H frame, 6x W 300 connected per 3 in parallel, crossoverpoint (LR 4th) 50 Hz between mains and subs when in use, otherwise the mains run full range.
Planned finishing: all edges rounded, front and inside behind mid/tweeters white felt, complete frames high gloss white paint.
Processing: Behringer DEQ2496 for room equalizing, connected with digital out to 2 DCX2496'. Outputs are configured for sub, sub, low, low/low-mid, mid, high and time aligned.
Power amps: (per side) 1x Behringer EP4000 in stereo for sub, 2x Behringer EP2000 for main (all with combined silent fan and resistor mods).
This speaker system isn't shy about reproducing the cannons on Overture 1812.
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